FASHION MAGAZINE editors share the favourite things they bought, read and watched in 2018.

Come December, there’s nothing quite like looking back at a year gone by and reflecting on the various things that brought us joy. Here, FASHION editors share the favourite things they bought, read and watched in 2018.

Noreen Flanagan, Editor-in-Chief

The Best Thing I Bought This Year
A pair of “Spectator-ish” two-toned shoes at a little shop I like to go to in Milan, called Marco. These shoes attract more attention than a golden retriever puppy when I’m out on the street. They even charmed Manfred Mugler when I interviewed him in Montreal in the fall for an upcoming feature. I walked in the room and he got up and started tap dancing in front of me after declaring he loved my shoes.

The Best Thing I Watched This Year
I had to chance to catch Network on Broadway starring Bryan Cranston and former FASHION cover star Tatiana Maslany. In this age of #fakenews who doesn’t love to be in a theatre and be asked to yell out: “I’m mad as hell, and I’m not going to take it anymore!”

The Best Thing I Read This Year
I just finished reading Educated by Tara Westover. Like The Glass Castle—another fave—this memoir is a compelling and ultimately inspiring story about survival and re-invention. But more than that, it’s a testament to the power of knowledge and the importance of seeking out the truth.

Benjamin Reyes, Video Editor

The best thing I bought this year 
It’s hard to tell if I’ve become complacent or if Netflix’s good movie selection is getting more diminutive every year, but I was looking for a change. That’s when I discovered (a.k.a was Facebook-ad-targeted by…) a new streaming service called Mubi, which is a catalog of 30 foreign/indie/ciritically-acclaimed films constantly on rotation. While not every film is a hit, it’s been a great way to open myself up to new cinematic experiences.

The best thing I watched this year 
I’m a sucker for coming-of-age films so Jonah Hill’s directorial debut, Mid90s, definitely makes my list this year. In the counter-nostalgic vein of The 400 Blows or Dazed and Confused, it focuses less on story and more on causality, while giving precedence to world-building and atmosphere.